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About Uppena Movie
Written by : Buchi Babu Sana
Directed by : Buchi Babu Sana
Music by : Devi Sri Prasad
Starring : Panja Vaisshnav Tej, Krithi Shetty,
Vijay Sethupathi
Release date : 12 February 2021
Running time : 147 minutes
Language : Telugu
Country : India
Storyline of Uppena Movie
How frequently does a film depend on one major turn? All things considered, Uppena (meaning elevated tide in Telugu), the presentation movie of chief Buchi Babu Sana, banks on one very vicious and upsetting turn. Assuming motivation from Malayalam and Tamil movies brought about the formation of Variety Photograph, Buchi Babu's Uppena appears to have crossed global limits and taken motivation from South Korean movies including profoundly upsetting scenes. (I felt grateful that the chief didn't unequivocally show this upsetting scene.)
Uppena stars rookies Panja Vaishnav Tej and Krithi Shetty leading the pack jobs with Vijay Sethupathi playing the main bad guy. While Vaishnav battles in his job, Krithi dazzles with her exhibition. Vijay Sethupathi is threatening, to gently put it. As a casteist primitive master, Vijay frightens us each time he shows up on the screen. The voiceover given by Ravi Shankar adds solidarity to his job. However the naming doesn't match up as expected, as the film advances that doesn't appear to be an issue.
The plot of the film sounds unoriginal - an unfortunate youngster from a mistreated rank falls head over heels for a young lady from a prevailing standing, and there is protection from this relationship. Be that as it may, by characterizing what is 'manliness', Uppena stands separated from films like Sairat and Kaadhal which had a similar subject of station as a hindrance to a relationship.
Aasi (Vaishnav), a Christian from the fishing local area, goes gaga for Sangeetha (Krithi), the little girl of the town head Kotagiri Rayanam, played by Vijay Sethupathi.
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Debutant chief Buchi Babu Sana comes outfitted with a format driven romantic tale with a clever point. The word 'novel' is utilized all joking aside here. This is a striking thought that resists the regular story that we have seen South Indian movies pushing so determinedly for in excess of an age. It has to do with manliness, and it has additionally got to do with affection.
The main half is set up in the style of Teja's famous hits of the mid 2000s. It, in this manner, is fitting that 'Uppena' is set in 2002. The heartfelt track is organized in a liberal way, complete for certain fantastic minutes. What small amount satire is there, it is all situational. There is a companion who is glad for Aasi and in what capacity effectively he prevails upon the affection for his beauty queen.
The screenplay is cunning to a great extent. There is an obscene person whom Babamma loathes and feels that her significant other will set up him. As fate would have it, her future spouse does precisely that, unintentionally. A contacting scene likewise has a mass allure.
Before long, the affection scenes get fatigued. The 'jwaram kavala' component begins losing punch after a point.
The scenes including Vijay Sethupathi, whose character is tanked on power and presumption, ought to have been way better. Because of the naming, he seems to be a normal lowlife. What's more, at whatever point he is near, he mouths a few stock lines that don't transcend the shows. He additionally becomes too redundant about his 'paruvu'. All things considered, how he treats his girl's sweetheart ends up being the film's USP.
The final part is fresh (the film's run-time is 147 minutes), and the peak tries to convey a blindside. For all the shock esteem, nonetheless, there isn't anything tormenting about it. Is it since some over-excited busybodies had guaranteed that the core got uncovered way before the film's delivery? There were even images around the 'peril point' via online entertainment.
The exhibitions are strong. Vaisshnav Tej makes a fantastic passage with a slick demonstration. He shows weakness where required. He is charming when he grins happily. He conveys the lines easily and doesn't appear to battle anyplace. Krithi Shetty gets areas of strength for an and a say in the romantic tale. Like that, she is a certified hero. Her incapacitating grin is an or more and she is persuading when she wails. Sethupathi carries hazard to the job in spite of the cardboardish naming. Sai Chand is agreeable.
Devi Sri Prasad's montage tunes have been utilized to the most extreme heartfelt impact. The famous hits are full in the primary half. The BGM, nonetheless, passes on a lot to the ideal. Shamdut Sainuddin's cinematography is all around outlined, it is perfect generally. The ghetto where the anglers reside looks genuine.
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